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Joe Morello came to Australia on a tour with the Dave Brubeck Quartet.Colin was in the group that was opening for Brubeck. I knew he had tremendous chops, but when I saw and heard him play in person, I just had to have that technique.Our Word of the Year choice serves as a symbol of each year’s most meaningful events and lookup trends.It is an opportunity for us to reflect on the language and ideas that represented each year.Dick said the reason he hired Colin was because he heard “Cast Your Fate.” That session became a whole record because Dick liked the way the trio played together.It was titled Surging Ahead and got 5 stars in Down Beat.He requested Im Gonna Take A Slow Boat To China, which the group played straight away. Bain eventually came home, and in late 1945, he received a call from guitarist Dave Barbour.
It wasn’t long before Colin got a call from Dick Bock, the owner of World Pacific Jazz record label, to play on a single track with Clare Fischer, with Albert Stinson on bass.In 1985 Colin moved back to California and presently lives in the San Francisco area where he plays with his good friend, Piano player Dick Hindman.Since that move, he has played with Stan Getz, Kenny Burrell, Herb Ellis, Charlie Byrd and singers Carol Sloane, Ernestine Anderson, Susannah Mc Corkle, Rosemary Clooney, and Joe Williams.For two weeks, as soon as Joe woke up every day, there I was with the practice pad. Six weeks later he joined the Vince Guaraldi Trio, and played clubs in San Francisco, including several months at the Trident in Sausalito, and other well known clubs such as The Blackhawk and Jazz Workshop.He was so gracious, showing me the George Lawrence Stone finger control technique. I put in many hours every day trying to get it down, (I am still practicing mastering it! I had a lot more control with volume, and could play quietly with intensity, something that is tough for a lot of drummers. During this period, the trio played with such jazz greats as Ben Webster, Jimmy Witherspoon, and Gene Ammons. In January of 1963, he got a call from Victor Feldman who asked if he would be interested in going to Los Angeles to play a steady gig with his trio. The exposure of playing with Victor was tremendous.
Miles needed a drummer, and having heard Colin with Victor, he called him to fill in for a couple of nights until they could sneak Tony in. In 1967, Colin started a twelve year studio career in L. In 1983 Colin joined the Richie Cole group Alto Madness, travelled to Japan and Europe, and toured the U. It was tough because he was still doing the teaching job as well.