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In Ben Bovas Jupiter (2000) humans embedded in breathable fluid quickly pass through Falcons upper atmosphere, where they encounter Clarkes Medusas, and descend into a planet-girdling ocean layer of water some 5000 km thick.Perhaps the most remarkable fictional descent into Jupiters clouds, in Kim Stanley Robinsons Galileos Dream (2009), was achieved by Galileo Galilei himself I primo al mondo!It was perhaps Clarkes last significant work of short fiction, and has been reprinted many times since perhaps most notably as a terrifically illustrated serial in the short-lived magazine Speed & Power (IPC, issues 513, 1974), a rendition which made a significant impact on the imagination of a young Reynolds.But Clarke said (in Astounding Days, 1989) that his own fascination with Jupiter began much earlier, with the spectacular cover painting by Frank R.The first man to see Jupiters four moons, which had been circling it since the creation (chapter 1). Jovian cloud intelligences have even troubled Doctor Who. He compares their rich culture to an architecture made out of ideas.
Against this background, from the 1930s more grounded Jupiter fiction began to appear, thanks to the influence of editor John W. Ultimately Joe takes over, with the last of Angleseys consciousness taken into his own.[Top] The Medusa Chronicles, my new collaboration with Alastair Reynolds (Gollancz, 2016), came out of a chance suggestion by Al in the course of a nostalgic email exchange: why dont we write a sequel to A Meeting with Medusa? Clarkes much-loved novella was originally published in Playboy for December, 1971.It is a saga of the exploration of Jupiters cloud layers, with the intrepid Howard Falcon encountering aerial life forms dominated by the huge medusae.Later, a detailed study by Sagan and Salpeter (1976) led to a famous visual depiction in Sagans Cosmos TV series of cloud beasts not unlike Clarkes. Indeed the planet was a central location in the saga for which Clarke may be best remembered, 2001: A Space Odyssey (1968) and its sequels.In 2001 itself, while in the movie version Jupiter was the destination for the Discovery spacecraft, in the novel Jupiter was used merely for a flyby and gravitational slingshot en route to Saturn.
All we can see of Jupiter telescopically are the upper cloud layers, as painted by Paul.